The new Canon hybrid lenses, the RF24mm F1.4 L VCM, RF50mm F1.4 L VCM, and RF70-200 F2.8 L IS USM Z, are designed to help creators switch seamlessly between photography and video.
Everything is coming in threes this week. We have three new Macs (a new iMac and Mac mini have already been announced, the MacBook Pro comes later today). And now Canon drops three new lenses on us that look destined not only for the likes of the R1 but also cinema camera units such as the C80.
RF24mm F1.4 L VCM & RF50mm F1.4 L VCM
The RF24mm F1.4 L VCM (above) and RF50mm F1.4 L VCM (below) are designed for hybrid use and optimized for anyone who needs to switch from photo and video quickly. They feature an optical design that utilizes the RF mount to achieve high quality across the entire image area, and quiet, fast and precise AF thanks to Canon’s latest actuator and focusing system featuring the Canon Nano USM (Ultrasonic Motor) and VCM (Voice Coil Motor). A unified exterior helps with easier gimbal adjustments for more efficient shooting.
The RF24mm has 15 elements across 11 groups, including two UD lenses and an aspherical lens. The RF50mm has 14 elements across 11 groups, including one UD lenses and two aspherical lenses.
Additional features include:
- They’re compact, with a length of 3.9 inches (9.9 cm), and lightweight. The RF24mm F1.4 L VCM is 18.1 ounces (513 grams) and RF50mm F1.4 L VCM is 20.4 ounces (578 grams)
- With a combination of VCM and Nano USM actuators, they promise stable video composition with little breathing
- And they’re customizable with an iris ring for controlling aperture during shooting, lens function button, and customizable control and focus rings
RF70-200 F2.8 L IS USM Z
The RF70-200 F2.8 L IS USM Z telephoto lens utilises the same exterior case design and internal mechanics of the other two new ones to make sure it balances well as a companion on gimbals and rigs. Compatible with extenders, the RF70-200 F2.8 L IS USM Z produces high-quality images with its large f/2.8 zoom aperture and boasts minimal focus breathing. Its iris ring enables fine-tuned video recording and its compatibility with power zoom adapters makes it a strong addition for video production needs.
The RF70-200 has 18 elements in 15 groups and features two Super UD Lenses, a single UD lens, and three aspherical lenses.
Additional features include:
- Close up shooting with a maximum magnification of 0.3x
- Image stabilization equal up to 5.5 stops in the center on the lens alone, or up to 7.5 stops in the center, up to 7.0 stops in the corners in coordinate control within-body IS
- Dust and drip resistant construction as well as light weight at approximately 1100 grams (38.8 oz). Length is 7.8 inches (199 mm). Oh, and a white version is available that will add 5 grams
Pricing and availability
The Canon RF24mm F1.4 L VCM and RF50mm F1.4 L VCM lenses are expected to be available in December at estimated retail price of $1499 and $1399 respectively. The Canon RF70-200 F2.8 L IS USM Z lens is expected to be available in November at an estimated retail price of $2999.
tl;dr
- Canon has launched three new hybrid lenses: RF24mm F1.4 L VCM, RF50mm F1.4 L VCM, and RF70-200 F2.8 L IS USM Z, designed for seamless use in both photography and video.
- The RF24mm and RF50mm lenses feature advanced optical designs for high-quality images, fast autofocus, and customizable controls, with lightweight and compact builds.
- The RF70-200 lens offers a large f/2.8 zoom aperture, minimal focus breathing, and is adaptable for video production with power zoom compatibility.
- Pricing is set at $1499 for the RF24mm, $1399 for the RF50mm (available in December), and $2999 for the RF70-200 (available in November).