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Television Editor's Choice

Sherwood, series 2, episode 5, review: an uneasy mash-up of political grandstanding and violent crime

If Ken Loach and Quentin Tarantino ever got together to collaborate the...

The Perfect Couple, review: Nicole Kidman’s cliché-ridden whodunit is top-notch trash

Our appetite for disgustingly rich people behaving disgustingly never seems to wane....

Slow Horses, season 4 review: Gary Oldman’s faultless spy thriller is as wildly entertaining as ever

The clever thing about this show is that it’s a spy caper...

Purists beware: Netflix’s Kaos is a rambunctious reboot of the Greek myths

Scholars may wish to look away now. Like a thunderbolt from above,...

Strictly Amy: Cancer and Me, review: an account of courage that should shame the online trolls

Strictly Amy: Cancer and Me (BBC One) is not the first instance...

Sherwood, series 2, episode 1, review: Monica Dolan will chill you to the bone

There’s a hell of a lot going on in the return of...

Dating Naked UK, review: this tawdry reality show is a full-frontal catastrophe

How to describe Dating Naked UK (Paramount+)? It’s Love Island crossed with...

There are no snowflakes in the Strictly lineup. These celebrities have backbone

Elsewhere, the lineup is notable for having three Olympians, the most the...

Whitstable Pearl, series 2, review: part cosy crime drama, part retro Nescafé advert

In one of those marketing mysteries, UKTV has decided to rebrand as...

Becoming Karl Lagerfeld, Disney+ review: plodding biopic sucks all the fun out of fashion

‘Be interesting, be amusing or be silent,” Karl Lagerfeld’s mother told him...

Britain’s Got Talent: The Final, review: Sydnie Christmas is a predictable winner – but at least she’s British

Christmas’ victory might have been unsurprising but it broke the mould. Mystifyingly,...

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