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Gladiator II: the year’s most relentlessly entertaining blockbuster – but you miss Russell Crowe

Ridley Scott’s Gladiator II opens in much the same way as the...

Strictly Come Dancing, week 8 results: Finally a nail-biter, as Shayne Ward is eliminated

Strictly has rumbled along reliability since September, while giving viewers far too...

Fearless and unknowable: Peggy from The Archers was the queen of British radio

When news reached me that Peggy Woolley had passed away my first...

Primal Scream, review: like being assailed by a ranting student at a Socialist Workers Party disco

I am a great believer that you sing with the voice you...

Strictly Come Dancing, Icons Week results: Show in a flap as feather furore mars underwhelming episode

Strictly Come Dancing (BBC One) had another feather-ruffling controversy this week as...

From brat to bootylicious: How pop changed the English language

The takeaway is that pop music may not create words from thin...

The Cure, review: perversely uplifting in its nihilism and the best thing since their debut

Micah has pushed his father beyond a comfortable country oldie zone into...

The Day of the Jackal, review: Eddie Redmayne is truly compelling in 21st-century reboot

When it comes to humanising the violent instinct, Bennett got in a...

Heretic: Hugh Grant goes full macabre villain – and is a wicked delight

Hugh Grant’s Villain Era has thus far lacked a horror vehicle: but...

Storyville: Eternal You, review: thought-provoking dive into the creepy digital-afterlife business

Would you like to speak to your loved ones after they die?...

Dr Strangelove: Steve Coogan steals the show but can’t save it

You wait years for Steve Coogan to appear on stage, and he...

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