Tuesday, November 5, 2024

No booze but Lenny Kravitz and a blank canvas: Why Uefa likes Wembley for big-ticket events

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This booze ban is the price innocent drinkers must pay for the disgrace of July 2021, when England supporters proved once again why we are not allowed nice things. The Euro 2020 final was marred by stormed turnstiles, blocked views for wheelchair users and widespread appalling behaviour when a good deal of the world was watching. Most here for the Champions League final were wise enough to pre-load elsewhere. Those unaware of the restrictions did not appear annoyed or surprised at being told about them and police seemed more worried about ticket touting.

There is little to fault in the management of the crowd before the game. There is one slightly uncomfortable bottleneck midway between tube and arch but it is the Primavera Blanca Real fan group holding an impromptu sermon rather than any failure of infrastructure.

In his programme notes, Aleksander Čeferin calls Wembley “the cradle of football”, which feels both a stretch and unnecessary. This is the language marketers believe plays well with football fans. In fact most resist such sentimentality, because it implies that the venue is more important than your team’s result at it. “Hi Robbie, first-time caller, heartbreaking to lose the Champions League final of course and we’ll probably never reach it again but at least we had a great day out at the Home Of Football, Connected by EE.”

Nevertheless you do see the odd visitor excited by their first sight of the arch. There is that meaningful nudge familiar to anyone who has pointed out a stadium to their child from a train. A gesture towards it and a word said with mild reverence: “Wembley.”

Inside you can see why Uefa likes it. It is grand but featureless, blank enough to become whatever you want for a night. Before kick-off what Uefa decides we want is a performance from Lenny Kravitz. He vamps in front of some fire-breathing machines and four Pepsi logos for a crowd of hired dancers. This interrupts what had been an unusually soulful build-up, Dortmund’s fans with a show of united noise and colour that has no equal in English football. Was this improved by a 60-year-old who owns the world’s largest scarf singing, “I wish that I could fly / into the sky / so very high / just like a dragonfly?”

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